Welcome to My New Fine Art Photography Website
A few years ago, a collector in Seattle called me after her print arrived. She loved the photograph she ordered. It was a long exposure of the Olympic coast at dusk, but the framing felt off. The image needed more breathing room. We reframed it with a wider mat, and when she sent a photo of it on her wall, it looked completely different: quieter, more settled. That conversation changed how I think about selling prints. The photograph is only part of what someone is buying.
That’s what this website is built around. I've spent the past twenty years photographing landscapes across the rugged coastlines and waterfalls of the Pacific Northwest, the alpine peaks of the Canadian Rockies and Colorado’s high country, and the red rock deserts of the American Southwest. I've also spent the last decade working directly with private collectors, galleries, interior designers, and commercial clients. What I've learned is that presentation, information, and trust matter as much as the work itself.
Start Here: Guides for Collectors
If you're new to collecting fine art photography, these guides walk through the decisions that matter most: what to choose, how it will look in your space, and how it will hold up over time:
- How to choose the right photograph for your space: sizing, orientation, and how different images behave in real rooms
- Why collect fine art landscape photography: what makes a photograph worth living with long term
- Editions, sizes, and materials explained: how scarcity, scale, and substrate affect value and presence
- Framing and presentation: conservation materials, matting, and how presentation shapes the final piece
- How to hang fine art photography: placement, spacing, and hardware based on size and material
- Matching artwork to wall color and room design: how color, light, and surrounding elements influence the way a photograph reads
Or, you can explore the full Collector Resources section, which brings these topics together in one place.
The Photographs
The photographs here are landscapes made over two decades of returning to the same places at different times of year, hours of the day, and different lighting conditions. My approach has stayed consistent throughout that time: careful composition, patience with natural conditions, and a bias toward restraint over spectacle. I’m drawn to images that reward sustained attention and reveal something on the fifth viewing that is different from the first.
The galleries on this site are organized by region and theme rather than date so collectors and designers can spend time with a body of work that speaks to a particular landscape or mood. Whether you’re looking for the quiet drama of the Pacific Northwest coast or the open geometry of the Southwest desert, the work is here to be explored.
How the Prints are Made
Every paper edition leaves my own printer. I print on archival cotton rag in-house, and every photograph is released as a limited edition of one hundred, shared across all sizes and substrates. Each print is signed and numbered by hand and ships with a Certificate of Authenticity documenting the image, edition number, size, and medium. ChromaLuxe metal and Lumachrome TruLife acrylic editions draw from the same hundred-print cap and arrive ready to hang.
Prints are available on three substrates: archival cotton rag paper, ChromaLuxe metal, and Lumachrome TruLife acrylic, each chosen for how it presents the image and performs in real spaces.
A Collector-First Approach to Fine Art Photography
One of the most common things I hear from new collectors is that they weren’t sure what they were buying until after it arrived. This site is designed to change that.
You’ll find detailed information on sizing and how specific sizes tend to read at typical viewing distances in residential and commercial spaces. There are honest material descriptions covering what each substrate is suited for and where each falls short. The purchase process is straightforward: you’ll know exactly what will be produced, how it will be packaged, and when to expect it.
If you have questions the site doesn’t answer, I’m reachable directly. Ask before you buy. Wondering afterward is the one collector experience I try hardest to prevent.
What You'll Find in This Journal
Upcoming posts will go deeper into specific topics: how I approach large-format printing for commercial installations, what I look for when evaluating a location across multiple seasons, how to choose between paper, metal, and acrylic for different wall environments, and what ten years of selling work directly to collectors has taught me about the relationship between image, material, and space.
If you’re new here, welcome. If you’ve collected my work before, thank you. This site was built with you in mind. And if you’re not sure where to start, the Collector Resources section covers the basics of sizing, materials, and installation.
